「清晨朝露，路邊小花」
「樹下光影，晚霞餘暉」
「石板踏階，青山綠水」

#皮層
這個案子從「景色的更迭」開始思考。
我們希望弱化原建築本身較強的存在感，讓空間退回成為自然的背景。藉由材質紋理、植栽、光線與留白，重新整理建築和環境之間的關係，讓人進入之後，可以先感受到風、光、植物和時間的變化。

戶外庭院刻意保留較多空白，只放入必要的植栽與踏階，讓自然自己慢慢填滿空間。清晨的露水、午後的樹影、傍晚落下的餘暉，以及植物隨季節產生的色彩變化，都成為設計的一部分，我們想留下的是一種不需要被過度安排的自然感。

#內裏
進入室內後，空間語彙轉為更單純的點、線、面關係。 我們以俐落的幾何構成整理視覺秩序，同時盡可能將自然光引入室內，讓光線在牆面、地坪與不同材質之間移動。

隨著時間改變，原本安靜的空間也會產生不同的陰影與表情，材質選擇延續戶外的自然感，降低過多裝飾，讓粗糙與細緻、明與暗、實與虛之間形成適當的對比。

-surface
This project begins with the idea of “changing scenery.” We wanted to soften the visual presence of the original architecture and allow the space to recede into the background of nature.

Through material textures, planting, light, and intentional emptiness, we redefined the relationship between the building and its surroundings, allowing visitors to first perceive the movement of wind, light, vegetation, and time.

The outdoor courtyard is deliberately kept open, with only essential planting and stepping stones introduced. Nature is given room to gradually complete the space. Morning dew, afternoon shadows, the glow of sunset, and the seasonal shifts in color all become part of the design.

What we wanted to preserve is a sense of nature that feels effortless and unforced.

-Interior
Upon entering the interior, the spatial language becomes more restrained, focusing on the relationship between points, lines, and planes.Clean geometric compositions establish visual order, while natural light is drawn deep into the space, moving across walls, floors, and different material surfaces. As the light changes throughout the day, the quiet interior reveals different shadows, depths, and expressions.

The material palette continues the natural sensibility of the exterior, with unnecessary decoration reduced to a minimum. Contrasts between rough and refined, light and shadow, solid and void are carefully balanced, allowing the space to remain calm, layered, and closely connected to its surroundings.